In the first stages of producing art every decision matters especially when it comes to the texture of the paper. As an artist who predominately works with Mi Teintes Canson paper I have found that the surface you choose to work on can dramatically alter the outcome of a piece and yes there have been regrets! Mi Teintes Canson paper, known for its versatility, offers two distinct textures. Those of you that have worked with this paper will know what I mean! One side is rough, with a pitted surface, and the other is smoother, providing a subtler grain. Interestingly, the shop's sticker often indicates which side should be used, but I’ve found that this “default” choice doesn’t always align with the needs of the artist. At this stage choose carefully! Ignore the sticker and consider what will work best for your subject! Use a piece of pastel to run it over both sides of the paper before you start.
Textured subjects like trees for instance may lean more to the rough side of the paper as it enhances the character of the subject. The natural pits in the surface add an organic feel that complements the subject matter. In my piece In the Shadow of Vastness, I took full advantage of this textured surface. However, the rough texture also presents challenges. Building up layers of pastels or creating fine lines can be difficult when the surface obstructs smooth application. It requires a different technique. In the Shadow of Vastness, Instead of building up layers the putty rubber was used to take pastel off. It is about finding balance between the medium and the paper's natural grain and allowing the texture to become a part of the process.
The smooth side of Mi Teintes paper opens up a world of precision and refinement. When I want to create finer details or build up layers more seamlessly, this side is my go-to choice. For example, in my piece Illusion of Time, the smoother surface allowed me to develop subtle gradients and intricate lines that were essential to the overall concept. The smoother texture facilitates control over the pastels, allowing for more intentional buildup of color. If you are aiming for a polished, detailed look, the smooth side provides the ideal foundation. There is
less resistance to the medium, making it easier to achieve soft blends and transitions perfect for subjects that demand a refined approach. On the smoother side I do not use a putty rubber at all instead I have a small flat brush that fits that purpose.
Ultimately, the decision between rough and smooth comes down to the final vision for the piece. Do you want a rugged, textural finish, or do you seek something softer and more refined? Both sides of the paper serve different functions, and both require a different approach in handling the medium. When choosing which side to work on, first consider the outcome you want for the final product. The rough side might enhance the expressive qualities of a landscape or a wild animal, while the smooth side might be better for a portrait or a piece that requires fine, controlled detail.
Paper texture is more than just a surface it's a tool that can bring your artistic vision to life. By understanding the material you’re working with, you can manipulate it to achieve the results you want. Whether you're embracing the pits and imperfections for a more textured outcome or opting for smooth precision, each choice brings something unique to the finished artwork. So next time you're in front of your paper, ask yourself: which side will help me achieve the most, will it be working with me or against me!!
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